Why Poetry

Standard

I read poetry

Because of lines like Stein’s

All this and not ordinary

A line just distinguishes it. And

Frank’s Hum-colored Cabs

That bring me elsewhere

Only to gasp from knowing

I have been here before.

Poetry is slow

-writing that asks for

Slow reading.

For meaning not easily teased

For brevity that strikes its heart-mark

For the now and now, this,

That you and I share

That was nothing before this.

Poetry by Scribblerbean©

As a former writer for hire, I would discharge words like cheap bullets that more or less hit their marks.  My brain ran on a loop, a Dickinsonian groove, stuck with language as habit rather than craft. Over time, dissatisfaction over crappy writing jobs morphed into illumination, as I tired of the language in my possession and my cavalier use of it. I decided it was time to relearn English, but set my bar as high as I could. Poetry, I knew, was the highest form of language. So I pursued it by going back to university, but that wasn’t enough.  Image

From September through to mid November this year, I shared a virtual classroom with about 35,000 poetry learners around the world, who ranged from teachers with advanced degrees to eager and nervous novices. Devoting myself to a fast-paced syllabus, the study of poetry shaped my mornings, infused my afternoon half-naps, kept me up until my entire household was fast asleep. But this was a class unlike any I had ever signed up for.

Offered through Coursera, Modern & Contemporary American Poetry (ModPo, lovingly) boasts of both passion and bold, cutting-edge pedagogy. Meticulously designed and taught by University of Pennsylvania’s Al Filreis, ModPo is an intimate, no-lectures-given, community-driven, tech-enabled village of multitudes brought together by a love of language. Given my unconventional academic path and my physical distance from institutions offering the rigorous training I craved, I have been thankful for the accessibility of MOOCs and online learning. But ModPo is an experience as extraordinary as Al himself, sprung from an ecosystem of webcasts, readings, and live events open to all lovers of poetry. And quite unlike my online classes with their forums and uploading of course content, one is present “in ModPo” truly and holistically. Al and his brilliant, captivating TAs are, safe to say, ever-present both on- and offline, through weekly webcasts, in near-synchronous online exchanges, and on campus, real-life/real-time meet-ups at the Kelly Writers House. Al and the ModPo team offer presence, accessibility, and enthusiasm, and immense generosity with both material and insight. ModPo gives its students more than a deep engagement with poetic texts and ideas; it cultivates an uncommon community that jumps borders. Image

Nearly two weeks after its official end, ModPo’s forums are still abuzz with students-turned-online friends. The poetry talk rages on, hearts and minds urged wide open anew to receive and make meaning of Whitman, Dickinson, O’Hara, Stein, Kerouac, Ashbery, Goldsmith.

It was the right decision to pursue poetry because there is much fulfillment in it. Whether I evolve towards poetic practice that involves writing and publishing remains to be seen, but I am hopeful with this, my renewed relationship with language. Today I am more than content chatting with newfound poetry friends around the world, and unraveling newfound favorites, like Whitman and Stein, and O’Hara, Ashbery, and Silliman. Thank you, Al; and thank you, ModPo community.